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More Then Words
10 June 2018

Sara Radstone has made a quiet progression from standing vessels to sculptures that ride along and hang from other parts of our space; concentrations of places seen and felt, and the memory of things. It is as if materiality is a constant trigger, the clay formed and marked in a muted and very distilled language, these objects the residue of time, and of natural and human interactions revealed in their accretions and patinas, their apparent erosions.

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